![]() Scamardella began his studies at New York City’s Technology Institute, learning to master the business of hotel and restaurant management while simultaneously building his culinary skills at The Plaza Hotel’s French restaurant. More details under upcoming events!Īfter nearly three decades in the kitchens of the most esteemed restaurants in the world, Ralph Scamardella serves as Partner and Chef of TAO Group, overseeing all chefs and concepts in New York (TAO Uptown, TAO Downtown, LAVO Italian Restaurant, food & beverage at Dream Downtown and Dream Midtown, and food & beverage at Moxy Times Square including Legasea, a seafood brasserie) Las Vegas (TAO Asian Bistro at The Venetian, TAO Beach and LAVO Italian Restaurant at The Palazzo) and Los Angeles (TAO, Luchini, and food & beverage at Dream Los Angeles).Īs the son of Italian immigrants, Scamardella developed an affinity for cooking with fresh ingredients early on, enjoying seasonal produce as staples in the family’s cooking within their Brooklyn kitchen. If you’re more of a day-drinker, then the Sunday Champagne Brunch paired with live DJ sets and drink promotions is where you want to be, every Sunday from 12 – 3pm. LAVO also flaunts a luxurious lounge (indoor & outdoor) with a full equipped DJ booth situated in the heart of the restaurant.Įvery Friday and Saturday, experience the Italian-American restaurant in a different light as it transforms into a party space as the DJ takes over to get you grooving all night long, accompanied with Singapore’s city skyline and delectable selection of food and drinks, LAVO is the prefect pre-party destination. The 180 degree view of the city is not the only highlight of LAVO Singapore. ![]() Satiate your palate with the signature 20-Layer Chocolate Cake, layered with peanut butter mascarpone for a wickedly rich and luscious treat. Indulge in all-time favorites like the classic Chicken Parmigiano and the famous LAVO Meatball – made of fresh Imperial Wagyu Beef and Italian sausage, spiced to perfection and topped with whipped ricotta cheese. Experience dining 57-stories above ground amidst Singapore’s stunning city skyline, whilst enjoying a hearty Italian-American cuisine accompanied with electrifying music.
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![]() If you’re mostly familiar with Joni Mitchell from her songs that wind up in films and YouTube cover videos, her first live record, “Miles of Aisles,” offers plenty of pleasant renditions of that material. Spiritualized, 'Royal Albert Hall October 10 1997'.A masterpiece listen hitting all the nostalgia buttons as funk and R&B collides head-on with hip-hop and pop, and a celebration of Black excellence at its finest, this girl rules the world. Still, there’s no denying Bey classics like “Single Ladies (Put a Ring on It)” and “Crazy In Love” and the three-song Destiny’s Child reunion alone is worth the price of admission. Rooted rhythmically with a drumline and brass band involving some two dozen musicians, Beyonce, whose credits on the project include live performance direction, executive production and music direction, proves that she’s one of the most innovative and visually arresting artists to exist in popular music - not that it was in any doubt - and that her songs, as sing-along-friendly as they may be, have a more pressing message to the universe. The 40-track companion piece to Beyonce’s groundbreaking Coachella 2018 performance, chronicled in superb detail in the Netflix documentary “Homecoming,” was a musical highlight of the decade that exists in its own lane. ![]() Beyonce, 'Homecoming: The Live Album' (2019).From the march of “The Chain,” which kicks off this 17-track collection and symbolizes the band members reconnecting, to Nicks’ powerhouse vocals on “Silver Springs” to Buckingham’s guitar skills on “My Little Demon” and McVie’s understated “Say You Love Me” and “You Make Loving Fun,” there’s a lot to love on this 1997 performance. Indeed, over the band’s 50-year career, they’ve fine-tuned their hit-heavy set and “The Dance,” recorded as a TV special, is as good an example of that as any. And it would go on to be the last recording to feature Christine McVie, who left the group the following year, though she would return to further touring. It represented the group’s first official release in a decade, bringing back together Nicks and Buckingham after a several year absence. Some exclusions apply, please visit our Help Centrefor more details.Featuring the core five lineup of Stevie Nicks, Lindsey Buckingham, Mick Fleetwood, John McVie and Christine McVie, Fleetwood Mac’s “The Dance” doubled as a reunion and a finale.We’re happy to accept returns for unwanted items, provided that they are returned within 14 days of receipt unopened, unused, and in perfect condition.For items that are dispatched using our standard service, we ask that you wait 14 days from the date of dispatch before reporting any items as undelivered.If your order contains items that are out of stock, we’ll ship the in-stock items as soon as we can and will dispatch the out-of-stock items as soon as we’ve received more stock in the warehouse.We don’t always ship everything together so check your dispatch email for more details - we’ll send you a dispatch email per parcel.We will email you as soon as each item is ready to be dispatched so you know when to expect them, but you can also check the status of your order in your account.Will you tell me when my order is on its way? All delivery options and any charges that are applicable will be shown at the checkout.Selected items are only available for delivery using Click & Collect to an hmv or FOPP store of your choice.Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. ![]()
![]() Viewed with an additional 30 years of blur, though, Fatal Instinct’s lowbrow spoofery feels kinda classy just by virtue of nodding at a few movies that came out before 1980. At the time, this mixture might have felt weighted toward recent stuff, old noirs secondary to the contemporary erotic thrillers. In hindsight, it’s the most timeless of this group, an amusingly clumsy amalgamation of Body Heat, Fatal Attraction, Double Indemnity, and Cape Fear then-zeitgeisty smash Basic Instinct is more of a style reference point, and Sleeping with the Enemy gets a subplot riff. Part Deux engages in a kind of “ironic” American jingoism Brooks, by the time of Men in Tights, was heavily recycling from his old material.īrooks’ lifelong pal Carl Reiner got back into the spoof game with Fatal Instinct, his penultimate film as a director. “It’s fantastic!”), interrupting an overall softness that aims for tweenage snickers rather than truly inspired silliness. Both have occasional moments of grinning laceration, like Cary Elwes dunking on Costner’s lack of an English accent, or Part Deux underlining a scene where Topper goads a battle-scarred soldier into killing again (“War!” the man enthuses after getting back in the game. They’re both also oddly specific, with the Hot Shots! sequel heavily imitating the plot of box office disappointment Rambo III and Robin Hood goofing on the Kevin Costner movie from two summers earlier (by contrast, Brooks was previously moved to do a feature-length parody of Star Wars). Part Deux and Men in Tights were the spoof veterans of the year, boasting ZAZ co-mastermind Jim Abrahams and old master Mel Brooks, respectively, awarded plum summer-season slots from 20th Century Fox and grossing a similar amount. At least when Hot Shots! Part Deux goes after a specific scene, it’s an inspired goof: a flashback shows Topper Harley (Charlie Sheen), the initially Cruise-ish and now Stallone-like hero of the series, and Ramada (Valeria Golino) nuzzling over spaghetti, meticulously imitating the most famous scene from Lady and the Tramp. The scar-comparison foreplay from Lethal Weapon 3 gets a scene that does the same thing, but crazier the whole movie finishes off with a lazy Wayne’s World homage. Though the movie occasionally takes a well-earned potshot at Mad Mel (“I’m just taking one of those unmotivated butt-in-the-moonbeam walks,” Estevez says during his oiled-up nude scene), most of its attempts to directly spoof Lethal Weapon fall predictably flat in ways that anticipate later, worse spoofs that followed in the wake of Scary Movie. ![]() All of these people, many at or around peaks of their careers, agreed to do a movie directed by a guy who wrote a bunch of Police Academy sequels, as if mistakenly boarding a Naked Gun sequel train in a rush. Murray Abraham, Charlie Sheen) are both fairly packed with major names, especially for the time. Jackson star as the Mel Gibson/Danny Glover equivalents, and the movie’s supporting cast (Jon Lovitz, Phil Hartman, Tim Curry, Denis Leary, William Shatner, Kathy Ireland) and cameo roster (Bruce Willis, Whoopi Goldberg, F. Arguably the shakiest concept of the year’s quartet - an action comedy parodying another series of action comedies not exactly known for its self-seriousness - somehow attracted both the National Lampoon brand name (not exactly a feather in anyone’s cap, but also not far removed from the days of Christmas Vacation) and a litany of stars: Emilio Estevez and a pre-Tarantino Samuel L. If there’s any measure of just how big the spoof biz was at the time, it’s Loaded Weapon 1. Starting with February’s National Lampoon’s Loaded Weapon 1, continuing with summer titles Hot Shots! Part Deux and Robin Hood: Men in Tights, and wrapping up in the fall with Fatal Instinct, 1993 was both the spoofiest year in modern film history, and a sign of how unsustainable the form would become. Thanks to the twin spoof successes of The Naked Gun 2 ½ and Hot Shots! back in 1991, ’93 saw a full crop of comedies imitating the gag-a-minute stylings of Zucker/Abrahams/Zucker, the team behind Airplane! and the Naked Gun series. Further down the charts, however, are a gaggle of movies uniting all of those elements into a single unlikely trend: In 1993, the spoof movie was booming. Poring through a list of 1993 box office hits, it’s easy enough to pick out the big-money trends: grown-up thrillers, like John Grisham adaptations ( The Firm, The Pelican Brief) and old-man star vehicles ( In the Line of Fire Rising Sun) comedy sequels galore and indirect echoes of recent-past hits ( The Three Musketeers, the poor man’s Robin Hood: Prince of Thieves). ![]() In most guitar amps I tend to like them in the phase inverter and use the Mojo Dijon in the preamp stages. I've used them in hi fi circuits with pleasing results. But these are still warm and not harsh like a 715 or 716 Polypropylene cap. I like them in certain amps, especially if it's a mushy sounding amp. You can buy them at Antique Electronic Supply. If a customer want's them I am happy to install.Īnd finally, I'm also a fan of the Polyester Sprague Orange Drop, the 225P series. I also like Sozo caps, they're nice and I typically use them when I build an amp, but not for general repairs as they're expensive. They're physically bigger than a Mallory 150 series which is also a fine choice. I'm a fan of the Mojo Dijon caps myself, they sound not too unlike a good old Fender blue Ajax cap. 0047 is merely rolling off highs to ground so it's not so critical there which is why I reused that one. I probably didn't use it cause I don't like that particular brand of cap that Fender was using at the time. I have had mystery issues be something as minor as this. Oh, and now that I'm thinking about it, do check your pots as well, hit them with good quality De-oxit contact cleaner. post CBS Silverface 6AQ5 amp from 1973, unmolested so we left out all the mods people do like bypass the input cap, increase cathode bypass caps, add a. Chances are it's good but you never know. 01 connected to the anode of the 12ax7 (either pin 1 or 6). But like I said, if this is a recent phenomenon I would check your signal cap, the. If you have a look at a Musicmaster Bass Amp schematic and a Deluxe 5E3 first thing to notice is the cap values. The tone stack in these does tend to roll a lot more highs off than your typical Fender amp. If it's a recent problem the first thing I check is your preamp tube, next would be your signal caps. With regards to the tone control sounding funny, I'm assuming you are using this for a guitar amp?Īnd the problem just developed or was it odd in the first place? And yes, these do sound good stock and I'm a fan of the CTS speaker. I don't bother with the Variac, no need really. No biasing required.Īh! Thanks for the correction! I'll update it. And, you can just buy a pair of tubes and drop them in. The later ones used 6V6 tubes, I think these sound more English than a 6V6 model. These amps can be a real treat for those on a budget or those who just like a wonderful tone!Īnother nice thing about these is they use the rather easy to find 6AQ5 tube. Great amp for a jazz player who doesn't need fusion volume. The customer will be replacing the speaker, I would go with a Weber English series or a real Celestion. Think 18 Watt Marshall with a $300 pricetag. Jangly top end with that nice euphonic mid. If I drop a new one in there this either sits around my tiny space or becomes sea turtle food eventually. I could sell the customer a new cap here but why? This one is perfectly good and I'm a reduce reuse recycle kind of guy. 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Serial.println(myIMU.readFloatGyroZ(), 4) ġ.71 V to 5 V LSM6DS3 SPI/I2C 3 Axis Accelerometer 3 Axis Gyroscope 6 Axis Inertial Breakout Board Embedded temperature sensor Serial.println(myIMU.readFloatGyroY(), 4) Serial.println(myIMU.readFloatGyroX(), 4) Serial.println(myIMU.readFloatAccelZ(), 4) Serial.println(myIMU.readFloatAccelY(), 4) Serial.println(myIMU.readFloatAccelX(), 4) ![]() Serial.println("Processor came out of reset.\n") put your setup code here, to run once: LSM6DS3 myIMU //Default constructor is I2C, addr 0圆B This is the minimal example, there are many others SPI/I2 C serial interface with main processor data synchronization feature Hard, soft ironing for external magnetic sensor corrections Smart FIFO up to 8 kbyte based on features set “Always-on” experience with low power consumption for both accelerometer and gyroscope Power consumption: 0.9 mA in combo normal mode and 1.25 mA in combo high-performance mode up to 1.6 kHz. The LSM6DS3 is available in a plastic land grid array (LGA) package. High robustness to mechanical shock makes the LSM6DS3 the preferred choice of system designers for the creation and manufacturing of reliable products. The LSM6DS3 has a full-scale acceleration range of ☒/±4/☘/☑6 g and an angular rate range of ☑25/☒50/±500/☑000/☒000 dps. The various sensing elements are manufactured using specialized micromachining processes, while the IC interfaces are developed using CMOS technology that allows the design of a dedicated circuit which is trimmed to better match the characteristics of the sensing element. ST’s family of MEMS sensor modules leverages the robust and mature manufacturing processes already used for the production of micromachined accelerometers and gyroscopes. The LSM6DS3 supports main OS requirements, offering real, virtual and batch sensors with 8 kbyte for dynamic data batching. If you want more personalization, there are more options you can play with in Motion FX.The LSM6DS3 is a system-in-package featuring a 3D digital accelerometer and a 3D digital gyroscope performing at 1.25 mA (up to 1.6 kHz ODR) in high-performance mode and enabling always-on low-power features for an optimal motion experience for the consumer. * Academy Award is a registered trademark of the Academy of Motion Picture Arts and Sciences.ĩ. If you have questions or comments about Motion FX or for technical support please visit the support link from this page.Ĩ. You can also use the Face Tracking technology of OS X Lion to emit effects from any faces visible to your camera.ħ. A preset cycling mode lets you automatically cycle through effects without lifting a finger.Ħ. Video Warp mode lets you distort live video using your mouse or trackpad.ĥ. Simply select your favorite preset effect, and create an incredible visual experience by moving in front of your computer’s camera.Ĥ. Autodesk® Motion FX lets you create stunning real-time video effects using your computer’s camera.ģ. Color Detection lets you select a color from the live camera feed from which to emit effects, and with Effect Paint you can play with fluids using your trackpad or mouse.Ģ. The new Fire HD 8 scored 1,785 on the Geekbench 3 app, which measures overall performance. Plugging in earbuds resolved some of these faults. The BTS "WINGS" album was able to fill a medium-sized bedroom with decent reproduction, but there was a bit of distortion in the bass and vocals. With dual Dolby Atmos stereo speakers at each end of the tablet's left side, the Fire HD 8 produced reasonable volume. ![]() Again, last year's model scored higher, with 411 nits, but the HD 8 still performed better than the Fire 7 with Alexa (335), 2015's Amazon Fire Kids (296) and the tablet category average (365 nits). ![]() The Fire HD 8 also did well in our brightness test, emitting up to 380 nits. The Fire 7 with Alexa scored a 0.20, while 2015's Amazon Fire Kids Edition scored 1.36 and the average tablet is around 3.23. Last year's HD 8 scored a 0.9, but Amazon has consistently done better with color accuracy. However, the Fire HD 8 makes up what it lacks in reproduction with its color accuracy, scoring 0.15 on our Delta-E test (lower is better). This isn't much next to what higher-end tablets like the Asus ZenPad 3S 10 (113) and Apple iPad (123) produce, but the Fire HD 8's visuals are decent for device that sells for a fraction of the price. For example, Disney's visually stunning Moana lost its lustrous aquamarine ocean and lush green foliage when I rewatched the movie.ĭespite having a muted display, the Fire HD 8's screen reproduced 79.4 percent of the sRGB color gamut, a result that's comparable to that of the new Fire 7 with Alexa. ![]() Unfortunately, colors appear dull even at maximum brightness. The Fashion Fund on Amazon Prime Video and Unbreakable Kimmy Schmidt on Netflix each offered clearer image quality compared to streaming from a browser. However, screening videos from premium streaming services seemed to go a lot smoother. ![]() Each time you make a change, it changes the entire process being edited. It provides a wide range of functions in a simple and elegant graphical environment. Ableton Live 11 Suite Crack has automatic synchronization, which means that a slight change in the music production timeline will change the processing of other parts of the music. Next, drag and drop the license file into the authorization window.Ableton Live 11 Crack is an advanced and professional application for making music and songs. A license file will be generated, which must be saved to the slave. Run Ableton_KeyGen.exe as administrator from the distribution, paste the code from the saved instruction into the appropriate field and click on the Generate button.In the next window, select: save the instruction with the hardware code.Run the program, in the window that appears, click on the “no Internet connection on this computer” button.Copy the Ableton Live 11 Suite.exe file from the Patched folder and paste it with the replacement into the program folder (C:\ProgramData\Ableton\Live 11 Suite\Program).Install the program by running Ableton Live 11 Suite Installer.exe.Fixed a regression that caused some AU and VST2 plugins to load with wrong parameter values (and sometimes no sound) when loading a Live Set.Fixed an issue where hot swapping certain devices in kits imported from Ableton Note did not result in search results in the Live Browser.Fixed a crash that sometimes occurred when deactivating Ableton Cloud while logging in to the cloud or loading a set of notes.Fixed a crash that occurred when Warp was enabled for Simpler devices in kits imported from Ableton Note.Individual track names are now visible when expanding note sets in the Cloud tab of the Live Browser.If you find that the complex interfaces of other DAWs are illogical and unreasonable, the simplicity and elegance of Ableton Live will definitely be a reason for you to at least give it a try, and eventually, maybe switch completely to Ableton. 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There was also a public transport strike that day, so the streets were crazy. I could have stayed warm and dry at home, but I always feel like I’ve accomplished something when I get where I’m going on a rainy hell of a day. Appropriately, it was raining cats and dogs, the night I saw Joel Crawford’s it was really heavy Puss in Boots: The Last Wish some time ago in London. ![]() We Brits are known to be obsessed with the weather. Puss in Boots: The Last Wish saved me from the rain. The rain made honorary Britons out of everyone present. We all felt very comfortable not only because of the sausage rolls and the Union Jack flags scattered everywhere, but also because of the weather. The annual event, held at the Consul General’s private residence, celebrated all the British nominees. Isn’t it about time a woman won the Oscar for best cinematography? “It’s about the work, not the gender,” was his reply, although he did not dispute that such an outcome would be welcome, “but it must be backed by the work.”īritish Consul-General Emily Cloke praised Deakin’s remarkable, innovative achievements behind the camera. He watched James Friend win at BAFTA nothing new in the West and that Mandy Walker received the American Society of Cinematographers’ ASC Award for her visual storytelling elvis. Although he has already won twice – for Bladerunner 20 – He doesn’t expect to take home the trophy on Sunday night. “The snobbery remains,” he says.ĭeakins himself is on his sixteenth Oscar nomination for his exquisite work on Sam Mendes’ realm of light. It’s worth noting that Fraser came out on top at last year’s Academy Awards Dune: Part One while Miranda took home an Oscar Life of Pi: Shipwreck with Tiger in 2012. Good work is good work, regardless of genre,” he adds. There’s this unfair tendency to avoid the Marvel Universe and the other popular universes,” he says.Ĭlaudio Miranda, the Paramount cameraman Top Gun: Maverick “is another one who was disfellowshipped,” notes Deakins. “The reason for this is plain and simple: snobbery. The image should have been a contender in that category, Deakins points out. |
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