“I’m a supposedly grown guy and I’m sitting here in a public place sheltered from the rain with tears streaming down my face.”Ĭrawford looks me in the eye and says the film “isn’t just about age.” I was involved in all the dealings involved with Antonio Banderas’ Puss and Salam Hayek Pinault’s Kitty Softpaws, and I couldn’t get enough of Goldilocks and the Three Bears, those of Florence Pugh, Olivia Colman, Ray Winston and Samson Kano were voiced. I will tell you that animated films are not my first love though Blow in Boots: The Last Wish seemed to be talking to me. The movie started and within about five minutes I was hooked. But I made it from the East End to central London. There was also a public transport strike that day, so the streets were crazy. I could have stayed warm and dry at home, but I always feel like I’ve accomplished something when I get where I’m going on a rainy hell of a day. Appropriately, it was raining cats and dogs, the night I saw Joel Crawford’s it was really heavy Puss in Boots: The Last Wish some time ago in London. We Brits are known to be obsessed with the weather. Puss in Boots: The Last Wish saved me from the rain. The rain made honorary Britons out of everyone present. We all felt very comfortable not only because of the sausage rolls and the Union Jack flags scattered everywhere, but also because of the weather. The annual event, held at the Consul General’s private residence, celebrated all the British nominees. Isn’t it about time a woman won the Oscar for best cinematography? “It’s about the work, not the gender,” was his reply, although he did not dispute that such an outcome would be welcome, “but it must be backed by the work.”īritish Consul-General Emily Cloke praised Deakin’s remarkable, innovative achievements behind the camera. He watched James Friend win at BAFTA nothing new in the West and that Mandy Walker received the American Society of Cinematographers’ ASC Award for her visual storytelling elvis. Although he has already won twice – for Bladerunner 20 – He doesn’t expect to take home the trophy on Sunday night. “The snobbery remains,” he says.ĭeakins himself is on his sixteenth Oscar nomination for his exquisite work on Sam Mendes’ realm of light. It’s worth noting that Fraser came out on top at last year’s Academy Awards Dune: Part One while Miranda took home an Oscar Life of Pi: Shipwreck with Tiger in 2012. Good work is good work, regardless of genre,” he adds. There’s this unfair tendency to avoid the Marvel Universe and the other popular universes,” he says.Ĭlaudio Miranda, the Paramount cameraman Top Gun: Maverick “is another one who was disfellowshipped,” notes Deakins. “The reason for this is plain and simple: snobbery. The image should have been a contender in that category, Deakins points out.
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